Work samples

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    4.jpg

About Mia

Baltimore City

Halton grew up in a family of artists, including her maternal grandparents and mother. She remembers her early art-making as both a refuge and a way to make sense of the emotional vagaries of family life. During Halton’s years as an undergraduate she encountered the work of Jean Dubuffet. He was a seminal discovery for her, for his ability not only to access the dark side of inner life but also show us the humor in it.  

From the beginning the role of figures was central… more

Encounters - Creative Alliance

For me, it’s all comes down (up?) to one-on-one exchanges. They will more than likely lead to ethical questions.
  • Encounters 1
    Encounters 1
    2017, Solo Exhibition Installation, Creative Alliance, Baltimore, MD
  • Encounters 2
    Encounters 2
    2017, Solo Exhibition Installation, Creative Alliance, Baltimore, MD
  • Encounters 3
    Encounters 3
    2017, Solo Exhibition Installation, Creative Alliance, Baltimore, MD
  • Encounters 4
    Encounters 4
    2017, Solo Exhibition Installation, Creative Alliance, Baltimore, MD
  • Encounters 5
    Encounters 5
    2017, Solo Exhibition Installation, Creative Alliance, Baltimore, MD
  • Encounters 6
    Encounters 6
    2017, Solo Exhibition Installation, Creative Alliance, Baltimore, MD
  • Encounters 7
    Encounters 7
    2017, Solo Exhibition Installation, Creative Alliance, Baltimore, MD
  • Encounters 8
    Encounters 8
    2017, Solo Exhibition Installation, Creative Alliance, Baltimore, MD
  • Encounters 9
    Encounters 9
    2017, Solo Exhibition Installation, Creative Alliance, Baltimore, MD
  • Encounters 10
    Encounters 10
    2017, Solo Exhibition Installation, Creative Alliance, Baltimore, MD

Further Explorations of Encounters – McLean Project for the Arts

I’m hooked on installation. The format opens up the potential to continue the exploration process as I’m installing the exhibition. I can explore my ideas in greater detail, and with more depth.
  • Encounters: Works by Mia Halton
    "Encounters: Works by Mia Halton"
    2018, Solo Exhibition Installation, McLean Project for the Arts
  • Encounters: Works by Mia Halton
    "Encounters: Works by Mia Halton"
    2018, Solo Exhibition Installation, McLean Project for the Arts
  • Encounters: Works by Mia Halton
    "Encounters: Works by Mia Halton"
    2018, Solo Exhibition Installation, McLean Project for the Arts
  • Encounters: Works by Mia Halton
    "Encounters: Works by Mia Halton"
    2018, Solo Exhibition Installation, McLean Project for the Arts
  • Encounters: Works by Mia Halton
    "Encounters: Works by Mia Halton"
    2018, Solo Exhibition Installation, McLean Project for the Arts
  • Encounters: Works by Mia Halton
    "Encounters: Works by Mia Halton"
    2018, Solo Exhibition Installation, McLean Project for the Arts
  • Encounters: Works by Mia Halton
    "Encounters: Works by Mia Halton"
    2018, Solo Exhibition Installation, McLean Project for the Arts
  • Encounters: Works by Mia Halton
    "Encounters: Works by Mia Halton"
    2018, Solo Exhibition Installation, McLean Project for the Arts
  • Encounters: Works by Mia Halton
    "Encounters: Works by Mia Halton"
    2018, Solo Exhibition Installation, McLean Project for the Arts

Paper

These works on paper show angry women, the covering up of the truth, the transformation of a Pushover, what’s inviolate, the whisper of pushovers as they land, and a selection of interpersonal dynamics.
  • Yes! No!
    Yes! No!
    2013, spray paint and marker on paper, 30x30"
  • Mad As Hell
    Mad As Hell
    2017, Ink On Paper, 20x40.5"
  • Whitewash
    Whitewash
    2016, Ink on paper, 22 1/2" X 30"
  • Pushover Quadrant
    Pushover Quadrant
    2015, Oilstick on handmade paper, 30x30" each
  • Can't Touch That
    Can't Touch That
    Monoprint on Paper, 16"x 16", 2012
  • Pushovers Alight
    Pushovers Alight
    2015, each drawing 5"x4" on wire, Pencil and Chalk Pastel on Paper
  • These Two Women
    These Two Women
    2018, 40”x30”, digital print
  • These Two Men
    These Two Men
    2018, 40”x30”, digital print
  • The Princess and the Wolf
    The Princess and the Wolf
    2018, 40”x30”, digital print
  • Encountering One Self
    Encountering One Self
    2018, 40”x30”, digital print

Canvas

I haven’t worked on canvas for awhile but these concepts are still current for me.
  • Patterns of Social Behavior
    Patterns of Social Behavior
    2012, acrylic and ink on canvas, 48 x 48"
  • Homeland Security
    Homeland Security
    2009, oil on canvas, 60x60"
  • Homeland Security (detail)
    Homeland Security (detail)
    2009, oil on canvas, 60x60"
  • Guys with Big Noses
    Guys with Big Noses
    2009, acrylic on canvas, 36x36"
  • Redemption
    Redemption
    2009, oil and paint stick on canvas, 50x50"
  • Redemption (detail)
    Redemption (detail)
    2009, oil and paint stick on canvas, 50x50"
  • Rumor Mill
    Rumor Mill
    2015, Oil stick on panel, 12"x48"
  • Suspicion
    Suspicion
    2014, ink on treated canvas, 18x18"

Ceramics

I began working with Ceramics around 5 years ago, right after a hit-and-run driver left my Mom seriously brain damaged. I needed a material that I could cut, push, and pull.
  • Bag O' Goodies and Baddies (view 1)
    Bag O' Goodies and Baddies (view 1)
    2015, 14"x14"x14", Earthenware with Underglaze and Majolica
  • Bag O' Goodies and Baddies (view 2)
    Bag O' Goodies and Baddies (view 2)
    2015, 14"x14"x14", Earthenware with Underglaze and Majolica
  • Shouting It Out
    Shouting It Out
    2014, 14"x10" glazed ceramic vessel
  • Eyecandy (with Singer Table)
    "Eyecandy" (with Singer Table)
    2016, Ceramic Mosaic, 17"x34"
  • Tonal Tower
    Tonal Tower
    2015, 18"x8"x8", Earthenware with Underglaze and Majolica
  • All For One
    All For One
    2018, Glazed Earthenware, 16"x10"

Relief

Now that the figures have come off of the 2D surface the ways in which they can engage with each other have grown exponentially.
  • Dirty Little Businessman
    Dirty Little Businessman
    2014, Ceramic, 6"x6"x2"
  • Short Stories That Don't End Well
    Short Stories That Don't End Well
    2014, Each approximately 5" x 5", Clay Slip with Sgraffito on Earthenware
  • Silenced Women #1
    Silenced Women #1
    2018, Lowfire red clay with Majolica, approx. 12" x 6" x3"
  • Silenced Women #2
    Silenced Women #2
    2018, Lowfire red clay with Majolica, approx. 12" x 6" x3"
  • Silenced Women #3
    Silenced Women #3
    2018, Lowfire red clay with Majolica, approx. 12" x 6" x3"
  • Architectural Details #1
    Architectural Details #1
    2018, lowfire white clay with underglaze, each sculpture approx. 10" x 10" x 4"
  • Architectural Details #2
    Architectural Details #2
    2018, lowfire white clay with underglaze, each sculpture approx. 10" x 10" x 4"
  • Architectural Details #3
    Architectural Details #3
    2018, lowfire white clay with underglaze, each sculpture approx. 10" x 10" x 4"
  • Shouting Sticks
    Shouting Sticks
    2017, 16" long, faces approx 4"x3", Acrylic Paint and Ink on Pulp Paper and Papier Mache
  • Puppets #1 and #2 with Friends
    Puppets #1 and #2 with Friends
    2016, (puppets) pulp paper and acrylic paint, 8"x16"x2", 10"x13"x2", (friends) pulp paper with ink, approx. 4"x3"x11" each

Ceramic Figures

The figures can be seen interacting with their surroundings now. We don’t see the sky falling but the upward gazes of the ones with blue noses suggest that something is going on up there.
  • The Sky Is Falling
    The Sky Is Falling
    2016, Red Earthenware Clay with Majolica glaze and underglaze, each approx. 10"x5"x5"
  • Twosome #2
    Twosome #2
    2016, ceramic, 10"x7"x7”, 13x9x9”
  • Mrs. White
    Mrs. White
    2017, Glazed Ceramic, 6" x 3" x 2"
  • Pushover #1
    Pushover #1
    2014, ceramic, 8"x 6.5"
  • Puppet Man with Red Jacket
    Puppet Man with Red Jacket
    2017, low fire clay with glaze, 12" x 10"
  • A Pair, from the Whitening series
    "A Pair", from the "Whitening" series
    2017, Low Fire Red Earthenware with Majolica Glaze, Each is 9" x 5" x 4"
  • Pushovers Unite!
    Pushovers Unite!
    2016, Solo Exhibition Installation, Baltimore Clayworks