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this is a short excerpt of the 2020 9 minute 16mm film Another Horizon by Stephanie Barber I made a 36-foot scrolling collage of photographs of horizons (ripped from optimistic books and magazines.) I shot and processed the 16mm film and then scratched each frame with a razor along the horizon line. The tedium of the process a kind of joy and discovery. The soundtrack is also a manipulated collage of words and sounds. Here, the space between narrative and documentary, fact and fiction, is literally scratched between two voices, cleaved apart or brought beside. Jayne Love reads a text I wrote for her––short sentences on the concept of the horizon and the briefest suggestion of narrative collide with pieces of Richard (Oswan) Williams' beautiful, rum-fueled living room sermons to me as a young person. I lived, for a few months, in Richard, and his wife Mary’s, apartment, the site of their voodoo spiritual temple in New Orleans. Of course, as priests and priestesses, Richard and Mary spoke often of death, transcendence, ethics and health. Our days were slow and filled with philosophical rumination. I recorded most everything on cassette tapes back then and some of those have made it here to the present. To this horizon we’re at now. The horizon, where the sky and the earth meet, is always elsewhere, a promised place where these two elements come together. A metaphor, an orienting, a promise of transition, change, transcendence. A place where the corporeal and spiritual meet, or are cleaved apart.