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“A binary condition of ‘American meaning non-Asian’ is no longer valid. If colonial mimicry comes from the appropriation of the Other, postmodern mimicry of immigrant artists appears when displaced souls realize a cacophony of conflicting values and cultural hegemonies.” Kyunghee Pyun, “From Immigrant to Transnational: Nostalgia for an Imagined Homeland,” Time Zone Converter, Korean Cultural Center, Beijing (image courtesy Sebastian Bach)