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Molly Salah, Curator's Catalogue Essay
Christine Neill’s watercolors are visual explorations of the natural world. Examinations of plant and occasionally insect life are captured in intricately drawn, intimate views of the environment seen at ground level. Neill’s works are not from the perspective of looking above or obliquely at her subjects. The viewer comes to the composition as if laying on the grass or forest floor. It is from the point of view of the animals and insects that inhabit these spaces that we, the human viewer, experience her work. She is particularly attuned to the biological cycle of plants and insects, opting for these subjects over other animals including people. Yet, humanity is indirectly the subject of her work, or rather the environmental impact the human species has on the planet, stating that her work “notes intersections where environmental and anthropological worlds meet.”[1]Her watercolors are snapshots of a world that most people pass through every day without noticing the life force contained within. Neill captures moments in time happening adjacent to us every day, but which go ignored.

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