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As with much of my work I am interested in contemplating the very large ideas of mortality and what it means to live a life while contrasting the weight of that idea. These contrasting aesthetics, Richard's liberal use of profanities which literally dis-guise the depth, power and wisdom of his words, has always been a guiding principle in my work. The avoidance of handling a huge idea with kit gloves. The approach makes for a more complex product which assumes a brilliant and intellectually flexible viewer.