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"...Later on I did a piece called "Absence". Now, this was like a play. There was dramaturgy. But the narratives are rather abstract. So I write a scenario, with characters. So it progresses. It’s just that the performers are not speaking. They’re dancing or moving. And this might be the influence of the Japanese director, Ota Shogo. He came out in the era where Japan was going through this era of modernization." (DC Theatre Scene interview: Dancing on the edge of theatre)