Snips from my performance, Ms. V, and one of the Tulane University gallery tour at the Prospect II Bienalle in New Orleans, LA.

From “Slaves and Slavs” 2003 from a performance of the same title with Lorraine Whittlesey commissioned by the Walter’s Art Gallery, Baltimore, MD.

Lorraine Whitlesey and I have performed as "Ebony and Irony" for more than ten years. We produced a CD "Try ME' of my singing her original music.

EMBODY (Hip Hop/Spoken Word) At the WindUp Space Station North Baltimore, MD Improvisational work with younger artists

Lea Gilmore and I have perfomed Blues/Jazz and Gospel in Maryland for a few years.

I'm performing at Common Ground on the Hill, a Roots, Social Justice and Arts Festival in Maryland.

A Baltimore, MD music venue.

I exhibited, lectured and performed a new work at Prospect II Beinalle 2013, in New Orleans, LA.

One Person Musical/Peformance at the Theatre Project, Balto.MD.

Kay Lawal Muhamed and I performed throughout the 1980's as the Thunder Thigh Revue, a comedy duo devising shows on political and social themes. We traveled the United States, Canada, Scotland and Holland. This was our anniversary comeback for one short run at the Baltimore Theatre project.

Feathers is an original coreo-poem performed in Philadelphia in 2015. I, musicians and composers created this work about E.A.Poe with an African American Spoken Word/Hip Hop/Jazz spin.

Joyce J. Scott and Kay Laway Muhamed in the 1980’s. Unfortunately my thighs now have the same pattern, except its cellulite.

We had tea breaks twice and Lunch, now that's beading.

In Capetown, South African: I organized two sets of two day classes with Zulu beaders at MonkeyBiz ( a non-profit group that helps beaders support themselves thru beading). They traveled over an hour and a half each day to work with me. I was honored, I know that word and humbled are used alot, but this took me back to days with my mom and aunties, learning first hand.

Talking trash in Capetown at Monkeybiz.

After Capetown, we shared technigues in Durban with Hlengi, a Zulu beader, designer and author at our B&B. We took advantage of any open space.

We traveled to Bev Gibson's house in the Natl, South Africa after Durban. The Ubuhle beaders are embroiderers, but wanted to learn a free form beading style. Beading on Bev's dining room table, so everyone would have comfort and bead space.

Flameworker with glass and torch

Even though I took beaded work, I was inspired to keep working and adding new patches.

The beaded face is placed on a metal cool table, then molton glass on the pipe is rolled slowly over the beaded face. The thread burns out, but the beads remain. Then the beaded glass is worked as usual. This is not a new technique, but my creating the actual beaded pieces is.

I created this beaded face created, then it was fused to the molton glass on the pipe. I was careful to find vintage Italian beads that were compatible.

Preparing the mold for glass inclusions.

2003 Blown & kiln fired glass, beads, thread & mixed media 47" x 18" x 13"

2011 Bead work, cast glass, thread, wood, wire 22 x 23 1/2 x 23 ½ inches PRIVATE COLLECTION

-Tanzanian Flayed Albino Man’s Face, 2008 Seedbeads & thread, 4 ½ x 3 ¾ x 1 ¼ inches (upper right) -Tanzanian Flayed Albino Man’s Penis, 2008 Seedbeads & thread, 2 ¼ x 1 ¾ x 2 inches (lower left) PRIVATE COLLECTION//// bibliography: "Reflecting Humanity and Igniting Conversation," Raehse, UMUC publication, 2015 available through issuu

Joyce J. Scott Head Shot, 2008 Seedbeads, thread, glass & bullets 18 ½” x 4 ½” x 4 ½” SCO-0316-C//// Exhibitions: “Truths and Vision,” Aug, 28 – Oct. 9, 2015, Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa, AL Curator: Patterson Sims “Truth and Vision,” Feb. 6 - May 24, 2015, Museum of Contemporary Art, Cleveland, OH Curator: Patterson Sims "Joyce J. Scott: Can't We All Just Get Along?", September 14, 2014 - November 7, 2014, Goya Contemporary Gallery, Baltimore, MD, Curator: Amy Eva Raehse "Prospect 2, New Orleans", Oct 22 2011 - Jan 29 2012, New Comb Gallery at Tulane university, New Orleans, LA, Curator: Dan Camron, Sally Main “The Global Africa Project”, November 17, 2010-May 15, 2011, Museum of Art and Design, New York, NY Curators: Leslie King Hammond/Lowery Stokes Sims “Painful Death/ Painless Life”, Nov. 15 – Jan 23 2009, Goya Contemporary, Baltimore MD Curator: Amy Eva Raehse//// Catalogues: "Joyce J. Scott: Can't We All Just Get Along?", Sept. 14, 2014 – Nov. 7, 2014, Goya Contemporary, Baltimore, MD, pgs. 3-4, ISBN 978-1-4951-2405-1 “The Global Africa Project”, November 17, 2010-May 15, 2011, Museum of Art and Design, New York, New York, pg 176, ISBN# 978-3-7913-5084-4 -New York Times, Arts in America, Feb. 9, 2000 “Truths and Vision,” Feb. 6 – May 24, 2015, Museum of Contemporary Art, Cleveland, OH, pgs. 29-30, ISBN# 978-0-9899550-4-1

Oh Hell No!,2007 Peyote Stitched Glass Beads, blown glass, wire & thread 6 x 11 1/4 x 8 1/2 in. (15.24 x 28.58 x 21.59 cm) [SCO-0307-C] PRIVATE COLLECTION

Painted and colored pavings, deisgned shiggles on bathhouse roof, tile around the pools margins, adorned paved pathway to an orchard

Beads, dice,thread, dollar bills, Bust of President Obama

Ceramic Mosaic in front of the Conservatory at Druid Hill Park

Floor Medallion, Concourse Level Terminal C Marble/Glass Mosaic Reagan/ Washington International Airport

Floor Medallion, Concourse Level Terminal C Marble/Glass Mosaic Reagan Washington National Airport

Peyote Stitch Glass beads, thread 14 x 10 inches

Peyote stitch glass beads and thread. aproximately 14 inches in diameter

White Noise Hanging, 2010 glass beads, thread, wire 25 x 29 in. (63.5 x 73.66 cm) SCO-0372-C//// Exhibitions: “Maryland to Murano: Neckpieces and Sculptures by Joyce J. Scott”, September 01, 2014 – April 24, 2015, Museum of Arts and Design, New York, NY Curator: Lowery Stokes Sims "On Kilter", Sept 12- Nov 10 2012, Goya Contemporary, Baltimore MD Curator: Amy Eva Raehse "Prospect 2, New Orleans", Oct 22 2011 - Jan 29 2012, New Comb Gallery at Tulane university, New Orleans LA Curator: Dan Camron, Sally Main////

Untitled, 2015 approx. 25 X 27 inches glass beads and thread

2010 Beads and thread PRIVATE COLLECTION//// Exhibitions: “Maryland to Murano: Neckpieces and Sculptures by Joyce J. Scott”, September 01, 2014 – April 24, 2015, Museum of Arts and Design, New York, NY Curator: Lowery Stokes Sims "On Kilter", Sept 12- Nov 10 2012, Goya Contemporary, Baltimore MD Curator: Amy Eva Raehse "Prospect 2, New Orleans", Oct 22 2011 - Jan 29 2012, New Comb Gallery at Tulane university, New Orleans LA Curator: Dan Camron, Sally Main

2010 Beads and thread PRIVATE COLLECTION//// Exhibitions: “Maryland to Murano: Neckpieces and Sculptures by Joyce J. Scott”, September 01, 2014 – April 24, 2015, Museum of Arts and Design, New York, NY Curator: Lowery Stokes Sims "On Kilter", Sept 12- Nov 10 2012, Goya Contemporary, Baltimore MD Curator: Amy Eva Raehse "Prospect 2, New Orleans", Oct 22 2011 - Jan 29 2012, New Comb Gallery at Tulane university, New Orleans LA Curator: Dan Camron, Sally Main

Beads, glass, images, thread.

Beads, thread, wire.

Beads, tintypes, thread

Lampworked and seed beads, coral, thread, wire

2008 Silk screen 30 x 22 inches

2008 Silk screen 30 x 22 inches

Sexecution Series,2008 Screenprint 30x 22 inches

2008 Silk screen, embossing 30 x 22 inches

2008 Silk screen, hand painting 30 x 22 inches

2014 Monotype with beadwork 21" x 15 ¼" PRIVATE COLLECTION

2014 Monotype 14" x 10" PRIVATE COLLECTION

2014 Monotype, collage 20 1/2" x 16" PRIVATE COLLECTION

2014 Monotype 19 3/4" x 17 ½" PRIVATE COLLECTION

Installation of "Hip Hop Saints" & "Fallen Angels" from 2014 exhibition "Can't We All Just Get Along?" at Goya Contemporary Gallery/// Catalogues: "Reflecting Humanity and Igniting Conversation," UMUC publication, 2015 available through issuu

From the 9/11 series- Bin Laden Silk screen, hand painting 30 X 22 inches

From the 9/11 series- Bin Laden/Bhutto Silk screen, hand painting 30 X 22 inches

2001 Monotype 15 x 22 ½ inches PRIVATE COLLECTION

2012 Monoprint, hand painting 22 x 30 inches

2012 Monoprint 30 x 22 inches

2012 Monoprint 30 x 22 inches

2012 Monoprint, drawing, hand painting 22 x 30 inches PRIVATE COLLECTION

2008 Silk screen, hand painting, collage, embossed paper, ceramic charms, prayer cards, found objects

Screen-print, hand painting, collage, imbosed paper, ceramic charms, prayer cards

2008 Monoprint 30 x 22 inches PRIVATE COLLECTION

Joyce J. Scott The Devil Made Me!, 2008 Commercial glass, beads, thread, fabric 11 3/4 x 4 1/4 x 3 3/4 in. (29.85 x 10.8 x 9.53 cm) SCO-0327-C//// Exhibitions: “Truths and Vision,” Aug, 28 – Oct. 9, 2015, Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa, AL Curator: Patterson Sims “Truth and Vision,” Feb. 6 - May 24, 2015, Museum of Contemporary Art, Cleveland, OH Curator: Patterson Sims "LiL' Lies and Purty Thangs", November. 18- February 12, 2011, Goya Contemporary, Baltimore, MD, Curator: Amy Eva Raehse “Painful Death/ Painless Life”, Nov. 15 – Jan 23 2009, Goya Contemporary, Baltimore MD, Curator: Amy Eva Raehse “NuVooDoo” October 22 – November 12, 2009, WESTNORTH Studio Gallery, Baltimore, MD, Curator: Amy Eva Raehse//// Catalogues: “Truths and Vision,” Feb. 6 – May 24, 2015, Museum of Contemporary Art, Cleveland, OH, pgs. 35 & 36, ISBN# 978-0-9899550-4-1

Day After Rape : Bosnia II, 2008 seedbeads and thread 8 1/2 x 8 x 2 in. (21.59 x 20.32 x 5.08 cm): SCO-0313-C//// Exhibitions: “Artist to Artist” January 7 – February 8, 2013, McColl Center for Visual Arts, Charlotte, NC “Enough Violence”, Sept. 27 – Mar. 22 2014, Society of Contemporary Craft, Pittsburgh PA “Painful Death / Painless Life” November 15, 2008 – January 23, 2009, Goya Contemporary, Baltimore MD Curator: Amy Eva Raehse//// Catalogues: “Painful Death / Painless Life” November 15, 2008 – January 23, 2009, Pg 8, ISBN# #978-1-60725-288-7 *Not only in Africa

Day After Rape III: Congo, 2008 Seedbeads and thread 3 3/4 x 9 x 12 1/2 in. (9.53 x 22.86 x 31.75 cm): On loan to Society of Cont. Craft, PA- May 2014 SCO-0320-C//// Exhibitions: “Enough Violence”, Sept. 27 – Mar. 22 2014, Society of Contemporary Craft, Pittsburgh PA “Painful Death/ Painless Life”, Nov. 15 – Jan 23 2009, Goya Contemporary, Baltimore MD Curator: Amy Eva Raehse “Tight Fit,” Dillard University Gallery, Oct 22 2011 - Jan 29 2012, New Orleans LA

Joyce J. Scott Later Baby, 2008 glass beads, thread, vintage glass bottle 10 3/4 x 4 1/8 x 3 3/4 in. (27.31 x 10.48 x 9.53 cm) SCO-0352-C//// Exhibitions: Enough Violence”, Sept. 27 – Mar. 22 2014, Society of Contemporary Craft, Pittsburgh PA “Artist to Artist” January 7 – February 8, 2013, McColl Center for Visual Arts, Charlotte, NC "LiL' Lies and Purty Thangs", Nov. 18- Feb 12 2011, Goya Contemporary, Baltimore, MD, Curator: Amy Eva Raehse/// Catalogues: “Joyce J. Scott, Both Sides Now”, 2008, back cover, Snyderman-Works Galleries, Philadelphia, PA © 2008 Snyderman-Works Galleries, Philadelphia, PA "LiL' Lies and Purty Thangs", Nov. 18- Feb 12 2011, Pg. 5, ISBN#987-1-14507-4147-7

From the Day after Rape Series: The Secret’s Out, 2009 Glass jar, glass beads, and thread 5 x 5 x 5 in. (12.7 x 12.7 x 12.7 cm): small piece/ uniform color / figure holding own head SCO-0334-C//// Exhibitions: “Truths and Vision,” Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa, AL Curator: Patterson Sims Aug, 28 – Oct. 9, 2015 “Truth and Vision,” Museum of Contemporary Art, Cleveland, OH Feb. 6 - May 24, 2015 Curator: Patterson Sims “Intrinsic Trio: Sanford Biggers, Sam Gilliam, and Joyce J. Scott” October 22 – December 22, 2009, Goya Contemporary, Baltimore MD Curator: Amy Eva Raehse “Tight Fit,” Dillard University Gallery, Oct 22 2011 - Jan 29 2012, New Orleans LA//// Catalogues: “Intrinsic Trio: Sanford Biggers, Sam Gilliam, and Joyce J. Scott” ©2009, Goya Contemporary “Truths and Vision,” Feb. 6 – May 24, 2015, Museum of Contemporary Art, Cleveland, OH, pg. 34, ISBN# 978-0-9899550-4-1//// *Bodies sometime placed in weird confurgurations to insight fear

From the Day after Rape Series: Mommy, 2009 glass jar, glass beads, thread 4 x 9 x 6 in. (10.16 x 22.86 x 15.24 cm): Baby with head SCO-0336-C//// Exhibitions: “Truths and Vision,” Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa, AL Curator: Patterson Sims Aug, 28 – Oct. 9, 2015 “Truth and Vision,” Museum of Contemporary Art, Cleveland, OH, Feb. 6 - May 24, 2015 Curator: Patterson Sims “Tight Fit,” Dillard University Gallery, Oct 22 2011 - Jan 29 2012, New Orleans LA “Intrinsic Trio: Sanford Biggers, Sam Gilliam, and Joyce J. Scott” October 22 – December 22, 2009, Goya Contemporary, Baltimore MD Curator: Amy Eva Raehse//// Catalogsues: “Truths and Vision,” Feb. 6 – May 24, 2015, Museum of Contemporary Art, Cleveland, OH, pg. 34, ISBN# 978-0-9899550-4-1 *Child left with her mom’s head after an attack

Joyce J. Scott From the Day After Rape Series: Suicide, 2003-2010 glass beads, thread 9 1/8 x 3 1/4 x 2 3/4 in. (23.18 x 8.26 x 6.99 cm) SCO-0354-C//// Exhibitions: “Truths and Vision,” Aug, 28 – Oct. 9, 2015, Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa, AL Curator: Patterson Sims “Truth and Vision,” Feb. 6 - May 24, 2015, Museum of Contemporary Art, Cleveland, OH Curator: Patterson Sims “The Franz and Virginia Bader Fund” June 14 – Aug. 17, 2014, American University, Katzen Arts Center, Wasington, DC "LiL' Lies and Purty Thangs", Nov. 18- Feb 12 2011, Goya Contemporary, Baltimore MD, Curator: Amy Eva Raehse//// Catalogues: "LiL' Lies and Purty Thangs", Nov. 18- Feb 12 2011, pg. 6, ISBN#987-1-14507-4147-7 “Truths and Vision,” Feb. 6 – May 24, 2015, Museum of Contemporary Art, Cleveland, OH, pgs. 31 & 32, ISBN# 978-0-9899550-4-1 *Her memory is riding the murderer

From the Day After Rape Series: Gatherer of Wood, 2009 Seedbeads, thread, pipes, drift wood 7 1/4 x 13 x 3 1/2 in. (18.42 x 33.02 x 8.89 cm) SCO-0338-C//// Exhibitions: “Truths and Vision,” Aug, 28 – Oct. 9, 2015, Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa, AL Curator: Patterson Sims “Truth and Vision,” Feb. 6 - May 24, 2015, Museum of Contemporary Art, Cleveland, OH Curator: Patterson Sims “Tight Fit,” Dillard University Gallery, Oct 22 2011 - Jan 29 2012, New Orleans LA “Joyce J. Scott: Li’l Lies and Purty Thangs”, November 18, 2010 – February 3, 2011, Goya Contemporary Gallery, Baltimore, MD Curator: Amy Eva Raehse//// Catalogues: “Truths and Vision,” Feb. 6 – May 24, 2015, Museum of Contemporary Art, Cleveland, OH, pg. 19, ISBN# 978-0-9899550-4-1

From the Day after Rape Series: Gathering Water, 2009 Glass beads, thread, glass jar and wooden pipes 8 x 8 x 4 in. (20.32 x 20.32 x 10.16 cm) SCO-0335-C//// Exhibitions: " LiL' Lies and Purty Thangs", November. 18- February 12 2011, Goya Contemporary, Baltimore MD, Curator: Amy Eva Raehse “Intrinsic Trio: Sanford Biggers, Sam Gilliam, and Joyce J. Scott” October 22 – December 22, 2009, Goya Contemporary, Baltimore MD, Curator: Amy Eva Raehse//// Catalogues: “Intrinsic Trio: Sanford Biggers, Sam Gilliam, and Joyce J. Scott” October 22 – December 22, 2009©

Day After Rape : Darfur 1, 2008 seedbeads and thread 4 3/4 x 6 1/2 x 2 1/2 in. (12.07 x 16.51 x 6.35 cm) SCO-0312-C/// Exhibitions: “Truths and Vision,” Aug, 28 – Oct. 9, 2015, Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa, AL Curator: Patterson Sims “Truth and Vision,” Feb. 6 - May 24, 2015, Museum of Contemporary Art, Cleveland, OH Curator: Patterson Sims “Off the Beaten Path: Violence, Women and Art”, October 23 – December 12, 2009, UC San Diego University Art Gallery, San Diego, CA “Painful Death / Painless Life” November 15, 2008 – January 23, 2009, Goya Contemporary, Baltimore MD Curator: Amy Eva Raehse “Off the Beaten Path: Violence, Women, and Art”, February 5 – April 4, 2010 Tijuana Cultural Center, Tijuana, Mexico/// Catalogues: “Painful Death / Painless Life” November 15, 2008 – January 23, 2009, Pg. 7, ISBN# #978-1-60725-288-7 “Truths and Vision,” Feb. 6 – May 24, 2015, Museum of Contemporary Art, Cleveland, OH, pg. 19, ISBN# 978-0-9899550-4-1

Pretty Girl Veiled, 2012 Nigerian wooden object, plastic and glass beads, thread, fabric 44 x 24 x 26 in. (111.8 x 61 x 66 cm) Scot-1015-C//// Exhibitions: “Truths and Vision,” Aug, 28 – Oct. 9, 2015, Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa, AL, Curator: Patterson Sims “Truths and Vision,” Feb. 6 - May 24, 2015, Museum of Contemporary Art, Cleveland, OH, Curator: Patterson Sims “Brides of Anansi: Fiber and Contemporary Art,” Sept. 4 – Dec. 6 2014, Spelman Gallery, Atlanta, GA, “Dazzling Dancing Beads,” May 5 – May 26, 2013, North Dakota Museum of Art, Grand Forks, ND (Traveling exhibition) "On Kilter", Sept 12- Nov 10, 2012, Goya Contemporary, Baltimore MD, Curator: Amy Eva Raehse//// Catalogues: "On Kilter" Sept 12 - Nov 10, 2012, Goya Contemporary, Baltimore MD, Pg. 1-2, ISBN: 978-1-4675-4223-4 “Truths and Vision,” Feb. 6 – May 24, 2015, Museum of Contemporary Art, Cleveland, OH, pgs. 4 & 15, ISBN# 978-0-9899550-4-1

Lewd #1, 2013 Hand-blown Murano glass processes with beads, wire, and thread 11 x 21 x 6 in. (27.9 x 53.3 x 15.2 cm) Scot-1031-C/// PRIVATE COLLECTION/// Exhibitions: “Maryland to Murano: Neckpieces and Sculptures by Joyce J. Scott”, September 01, 2014 – April 24, 2015, Museum of Arts and Design, New York, NY Curator: Lowery Stokes Sims/// Catalogues: “Maryland to Murano: Neckpieces and Sculptures by Joyce J. Scott,” Sept. 1 2014-Apr. 24 2015, pg 22-23, © 2014 Museum of Art and Design NY

Lynched Tree, 2011-2015 Plastic and glass beads, blown glass, thread, wire, wooden pole, metal armature Installed dimensions variable. Approx: 106 x 42 x 15 inches SCO-0386-C/// currently traveling//// Exhibitions: “Truths and Vision,” Aug, 28 – Oct. 9, 2015, Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa, AL, Curator: Patterson Sims “Truths and Vision,” Feb. 6 - May 24, 2015, Museum of Contemporary Art, Cleveland, OH, Curator: Patterson Sims “Philosophy of Figure” November 20, 2012 – January 18, 2013, Goya Contemporary, Baltimore, MD, Curator: Amy Eva Raehse "On Kilter", Sept. 12 - Nov. 10, 2012, Goya Contemporary, Baltimore, MD, Curator: Amy Eva Raehse "Prospect 2, New Orleans", Oct 22 2011 - Jan 29 2012, New Comb Gallery at Tulane university, New Orleans LA, Curator: Dan Camron, Sally Main//// Catalogues: "Prospect 2, New Orleans", Oct 22 2011 - Jan 29 2012, New Comb Gallery at Tulane University, New Orleans LA, pg. 118, ISBN# 10-0615549497 “Truths and Vision,” Feb. 6 – May 24, 2015, Museum of Contemporary Art, Cleveland, OH, pgs. 41-48, ISBN# 978-0-9899550-4-1

Lynched Tree, 2011-2015 Plastic and glass beads, blown glass, thread, wire, wooden pole, metal armature Installed dimensions variable. Approx: 106 x 42 x 15 inches SCO-0386-C/// currently traveling//// Exhibitions: “Truths and Vision,” Aug, 28 – Oct. 9, 2015, Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa, AL, Curator: Patterson Sims “Truths and Vision,” Feb. 6 - May 24, 2015, Museum of Contemporary Art, Cleveland, OH, Curator: Patterson Sims “Philosophy of Figure” November 20, 2012 – January 18, 2013, Goya Contemporary, Baltimore, MD, Curator: Amy Eva Raehse "On Kilter", Sept. 12 - Nov. 10, 2012, Goya Contemporary, Baltimore, MD, Curator: Amy Eva Raehse "Prospect 2, New Orleans", Oct 22 2011 - Jan 29 2012, New Comb Gallery at Tulane university, New Orleans LA, Curator: Dan Camron, Sally Main//// Catalogues: "Prospect 2, New Orleans", Oct 22 2011 - Jan 29 2012, New Comb Gallery at Tulane University, New Orleans LA, pg. 118, ISBN# 10-0615549497 “Truths and Vision,” Feb. 6 – May 24, 2015, Museum of Contemporary Art, Cleveland, OH, pgs. 41-48, ISBN# 978-0-9899550-4-1

Lewd 111: White Tongue, 2013 Hand-blown Murano glass processes with beads, wire, and thread 30 x 8 x 13 in. (76.2 x 20.3 x 33 cm) Scot-1032-C/// Exhibitions: “Maryland to Murano: Neckpieces and Sculptures by Joyce J. Scott”, September 01, 2014 – April 24, 2015, Museum of Arts and Design, New York, NY Curator: Lowery Stokes Sims/// Catalogues: “Maryland to Murano: Neckpieces and Sculptures by Joyce J. Scott,” Sept. 1 2014-Apr. 24 2015, pg 45, © 2014 Museum of Art and Design NY

2012 Nigerian wooden object, plastic & glass beads, thread drawing & fabric 33 1/2" x 18 1/2" x 17 ½"/// Collection of the Tucson Museum of Art

Joyce J. Scott Lewd #2, 2013 Hand-blown Murano glass processes with beads, wire, and thread 22 1/2 x 14 x 16 in. (57.1 x 35.6 x 40.6 cm) Scot-1036-C/// Exhibitions: “Maryland to Murano: Neckpieces and Sculptures by Joyce J. Scott”, September 01, 2014 – April 24, 2015, Museum of Arts and Design, New York, NY Curator: Lowery Stokes Sims/// Catalogues: “Maryland to Murano: Neckpieces and Sculptures by Joyce J. Scott,” Sept. 1 2014-Apr. 24 2015, pg 24, © 2014 Museum of Art and Design, New York, NY

Joyce J. Scott Buddha (Wind), 2013 Hand-blown and flame worked Murano glass processes with beads, wire, and thread 20 1/2 x 12 1/2 x 13 in. (52.1 x 31.8 x 33 cm) Scot-1033-C/// Exhibitions: “Maryland to Murano: Neckpieces and Sculptures by Joyce J. Scott”, September 01, 2014 – April 24, 2015, Museum of Arts and Design, New York, NY Curator: Lowery Stokes Sims "Glasstress White Light/ White Heat" 55th international Art Exhibition La Biennale di Venezia, June 1 - Nov 24 2013, Berengo Center for Contemporary Art and Glass, Campiellodella Pescheria, 30141, Murano Venezia Curator: Andria Bengo/// Catalogues: “Maryland to Murano: Neckpieces and Sculptures by Joyce J. Scott,” Sept. 1 2014-Apr. 24 2015, pg 27, © 2014 Museum of Art and Design NY

Buddha (Earth), 2013 Hand-blown Murano glass processes with glass and ceramic beads, wire, and thread 27 1/2 x 11 1/4 x 11 1/2 in. (69.8 x 28.6 x 29.2 cm) Scot-1034-C/// Exhibitions: “Maryland to Murano: Neckpieces and Sculptures by Joyce J. Scott”, September 01, 2014 – April 24, 2015, Museum of Arts and Design, New York, NY Curator: Lowery Stokes Sims "Glasstress White Light/ White Heat" 55th international Art Exhibition La Biennale di Venezia, June 1 - Nov 24 2013, Berengo Center for Contemporary Art and Glass, Campiellodella Pescheria, 30141, Murano Venezia Curator: Andria Bengo/// Catalogues: "Glasstress White Light/ White Heat" 55th international Art Exhibition La Biennale di Venezia, June 1 - Nov 24 2013, Berengo Center for Contemporary Art and Glass, Campiellodella Pescheria, 30141, Murano Venezia, Pg 153-154 ISBN: 978-1-903455-29-6 “Maryland to Murano: Neckpieces and Sculptures by Joyce J. Scott,” Sept. 1 2014-Apr. 24 2015, pg 30, © 2014 Museum of Art and Design, New York, NY

Buddha (Fire & Water), 2013, Hand-blown and flame worked Murano glass processes with beads, wire, and thread 19 3/4 x 15 x 11 1/2 in. (50.2 x 38.1 x 29.2 cm) Goya IN:Scot-1035-C/// Collection of The Smithsonian Museum/ National Museum of African American History and Culture/// Exhibitions: “Maryland to Murano: Neckpieces and Sculptures by Joyce J. Scott”, September 01, 2014 – April 24, 2015, Museum of Arts and Design, New York, NY, Curator: Lowery Stokes Sims"Glasstress White Light/ White Heat" 55th international Art Exhibition La Biennale di Venezia, June 1 - Nov 24 2013, Berengo Center for Contemporary Art and Glass, Campiellodella Pescheria, 30141, Murano Venezia Curator: Andria Bengo/// Catalogues: "Glasstress White Light/ White Heat" 55th international Art Exhibition La Biennale di Venezia, June 1 - Nov 24 2013, Berengo Center for Contemporary Art and Glass, Campiellodella Pescheria, 30141, Murano Venezia, Pg 153-154 ISBN: 978-1-903455-29-6 “Maryland to Murano: Neckpieces and Sculptures by Joyce J. Scott,” Sept. 1 2014-Apr. 24 2015, pg 33, © 2014 Museum of Art and Design, New Yrok, NY

From the Still Funny Series: Lover 1, 2011 Japanese ceramic figurine, beadwork, thread 8 1/2 x 3 x 3 3/4 in. (21.6 x 7.6 x 9.5 cm) Scot-1012-C// Exhibitions: “Philosophy of Figure” November 20, 2012 – January 18, 2013, Goya Contemporary, Baltimore, MD, Curator: Amy Eva Raehse; "On Kilter", Sept 12- Nov 10 2012, Goya Contemporary, Baltimore MD, Curator: Amy Eva Raehse/// Catalogues: "On Kilter" Sept 12 - Nov 10, 2012, Goya Contemporary, Baltimore MD, Pg. 9, ISBN: 978-1-4675-4223-4

From the Still Funny Series: Lover 2, 2011 Japanese ceramic figurine, beadwork, thread 5 1/2 x 3 x 2 3/4 in. (14 x 7.6 x 7 cm) Scot-1013-C// Exhibitions: “Philosophy of Figure” November 20, 2012 – January 18, 2013, Goya Contemporary, Baltimore MD, Curator: Amy Eva Raehse "On Kilter", Sept 12- Nov 10 2012, Goya Contemporary, Baltimore MD, Curator: Amy Eva Raehse/// Catalogues: "On Kilter" Sept 12 - Nov 10, 2012, Goya Contemporary, Baltimore MD, Pg. 9, ISBN: 978-1-4675-4223-4

From the Still Funny Series: Flutist, 2011 Japanese figurine, beads, thread 5 1/2 x 3 3/4 x 3 in. (13.97 x 9.53 x 7.62 cm) SCO-0383-C// Exhibitions: "On Kilter", Sept 12- Nov 10 2012, Goya Contemporary, Baltimore MD, Curator: Amy Eva Raehse; "Prospect 2, New Orleans", Oct 22 2011 - Jan 29 2012, New Comb Gallery at Tulane university, New Orleans, LA Curators: Dan Camron, Sally Main/// Catalogues: "On Kilter" Sept 12 - Nov 10 2012, Goya Contemporary, Baltimore MD, Pg. 7, ISBN: 978-1-4675-4223-4 "Prospect 2, New Orleans", Oct 22, 2011 - Jan 29, 2012, New Comb Gallery at Tulane university, New Orleans, LA, pg. 116, ISBN# 10-0615549497

2011 Commercial shaker, beadwork, thread, glue 3 3/4 x 2 x 2 ¼ inches PRIVATE COLLECTION/// Exhibitions: "On Kilter", Sept 12- Nov 10 2012, Goya Contemporary, Baltimore MD, Curator: Amy Eva Raehse; "Prospect 2, New Orleans", Oct 22 2011 - Jan 29 2012, New Comb Gallery at Tulane university, New Orleans, LA Curators: Dan Camron, Sally Main/// Catalogues: "On Kilter" Sept 12 - Nov 10 2012, Goya Contemporary, Baltimore MD, Pg. 7, ISBN: 978-1-4675-4223-4 "Prospect 2, New Orleans", Oct 22, 2011 - Jan 29, 2012, New Comb Gallery at Tulane university, New Orleans, LA, pg. 116, ISBN# 10-0615549497

2014 Glass beads, thread, Ambrotype ( glass photography), wire, Blown glass 23 x 3 1/2 x 3 inches PRIVATE COLLECTION

Sex Traffic, 2014 Hand-blown Murano glass processes with metal, beads, thread, and leather 76 x 16 x 9 ½ inches Scot-1068-C// Exhibitions: "Joyce J. Scott: Can't We All Just Get Along?", September 14, 2014 - November 7, 2014, Goya Contemporary Gallery, Baltimore, MD Curator: Amy Eva Raehse/// Catalogs: "Joyce J. Scott: Can't We All Just Get Along?", Sept. 14, 2014 – Nov. 7, 2014, Goya Contemporary Gallery, Baltimore, MD, pgs. 7-8, ISBN 978-1-4951-2405-1

Sex Traffic, 2014 Hand-blown Murano glass processes with metal, beads, thread, and leather 76 x 16 x 9 ½ inches Scot-1068-C/// Exhibitions: "Joyce J. Scott: Can't We All Just Get Along?", September 14, 2014 - November 7, 2014, Goya Contemporary Gallery, Baltimore, MD Curator: Amy Eva Raehse/// Catalogs: "Joyce J. Scott: Can't We All Just Get Along?", Sept. 14, 2014 – Nov. 7, 2014, Goya Contemporary Gallery, Baltimore, MD, pgs. 7-8, ISBN 978-1-4951-2405-1 "Reflecting Humanity and Igniting Conversation," Raehse, UMUC publication, 2015 available through issuu

War Woman III, 2014 Hand-blown Murano glass processes with beads, wire, thread, and plastic dice 28 x 9 x 8 inches Scot-1066-C/// Exhibitions: “Truths and Vision,” Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa, AL, Curator: Patterson Sims, Aug, 28 – Oct. 9, 2015/// Catalogs: "Joyce J. Scott: Can't We All Just Get Along?", Sept. 14, 2014 – Nov. 7, 2014, Goya Contemporary Gallery, Baltimore, MD pgs. 1-2, ISBN 978-1-4951-2405-1

War Woman II, 2014 African sculpture, fused and painted mosaic glass, glass/plastic beads, thread, wire, metal keys and cast glass guns 25 x 18 x 18 inches Scot-1042-C/// Exhibitions: "Joyce J. Scott: Can't We All Just Get Along?", September 14, 2014 - November 7, 2014, Goya Contemporary Gallery, Baltimore, MD Curator: Amy Eva Raehse/// Catalogs: "Joyce J. Scott: Can't We All Just Get Along?", Sept. 14, 2014 – Nov. 7, 2014, Goya Contemporary Gallery, Baltimore, MD, pg. 6, ISBN 978-1-4951-2405-1

War Woman I, 2014 African sculpture, dice, glass/plastic beads, thread, wire, and cast glass guns 30 x 20 x 20 inches Scot-1043-C/// Exhibitions: WPA, 2015, curator: Laura Roulette; "Joyce J. Scott: Can't We All Just Get Along?", September 14, 2014 - November 7, 2014, Goya Contemporary Gallery, Baltimore, MD Curator: Amy Eva Raehse/// Catalogs: "Joyce J. Scott: Can't We All Just Get Along?", Sept. 14, 2014 – Nov. 7, 2014, Goya Contemporary Gallery, Baltimore, MD, pg. 5, ISBN 978-1-4951-2405-1; "Reflecting Humanity and Igniting Conversation," Raehse, UMUC publication, 2015 available through issuu