12-Channel Video Installation 40 minute duration 12 monitors mounted on wooden rafters laid on the floor, showing captures from four videos placed underwater looking upward, each video feed duplicated and mirrored twice. Paper boats made from newspapers proclaiming recent unfortunate events sail over the view of an overcast day.

Augmented-reality installation. An overhead transparency projector rests on the floor with four interchangeable images of artificial aquatic interiors. When viewed through the accompanying mobile application, the viewer may see a three-dimensional virtual sculpture showing ornamental fish swimming with 3D photographs of human figures within an enclosed space.

Digital Video Installation A water source slowly drips water into a fishbowl with a bright pink flower. A video feed from underneath the fishbowl is projection mapped onto six of the Marble Bar's support columns.

5'x5'x5' Suspended cube with figurative qr codes on each face. When viewed with accompanying mobile application, a viewer may see the figures embedded in the qr codes animated across the surface of the cube. Child for scale.

3D Composite photograph 3'x2'x2' Life-sized 3D printed composite of two overlapping figure photographs, illuminated from within by 1500 LEDs programmed with a procedural animation.

3D Photograph of embracing lovers, collapsed to two dimensions. Shown in Lucky Suns as on 144 laser engraved squares to compose a 45"x45" whole.

3D Photograph of embracing lovers, collapsed to two dimensions. Shown in Lucky Suns as on 144 laser engraved squares to compose a 45"x45" whole.

3D Photograph of embracing lovers, collapsed to two dimensions. Shown in Lucky Suns as on 144 laser engraved squares to compose a 45"x45" whole.

3D Photograph of embracing lovers, collapsed to two dimensions. Shown in Lucky Suns as on 144 laser engraved squares to compose a 45"x45" whole.

3D Photograph of embracing lovers, collapsed to two dimensions. Shown in Lucky Suns as on 144 laser engraved squares to compose a 45"x45" whole.

Procedural animation of two figures creating and destroying each other. I am currently re-working this project as networked iterations of figurative destruction and revelation.

This is an Augmented Reality 3D Photograph. I photographed a mode in Skanect with an Xtion Live Pro, imported into Unity, assembled with ARtoolkit for Unity, then built into an Android app. The photograph was not at all sculpted, but features artefacts from the scanning process. This video also shows works by artist Melissa Cormier (melissapenleycormier.com/ )and music by Sassy Kitty (soundcloud.com/sassy-kitty-productions).

creatr_flock, 2016 Jeffrey L. Gangwisch Interactive Installation. creatr_flock responds only when looked at. When creatr_flock realizes it has an audience, a growing number of polygons flock to greet the viewer(s), reacting to their movements. Creatr flock was created with support from a 2016 Technical.ly Baltimore Microgrant. It was built in Processing using Computer Vision and Box2D libraries. Though it can be exhibited many different ways, it requires a display surface, a computer (here using a mac-mini), and a camera.

This is a prototype version of a generative animation that searches for images through a procedural algorithm, masking them with the artist's body at work.

From November 6 to December 4 2017, the UK-based Overheard Map of Now organized international teams of artists working in either physical or digital mediums. Artists were invited to explore the paradox of solitary connectedness, the incredible prevalence of digital personas - both consciously performed and not - and the acts of translation and duration that go into making physical work digital and vice versa. The exhibition functioned as an art version of Chinese whispers, with each artist handing over the material for the next to respond to and create from. Two iterations of my involvement are linked below. I was given solo control over the last team's digital presence for 3 days, creating from it the first website. I was then teamed with an artist in Wales, an artist in Scotland, and an artist in England to create the second. Both are still viewable, though without maintenance many features no longer work: 1. http://week3.2017.overheardmap.com 2.

obj_i, 2016 Jeffrey L. Gangwisch Interactive Installation 3x Networked Holographic Cabinets 3x Networked Scopic Cabinets 1x Interactive Projection 3 self-portraits run in lap across all three holographic cabinets. If any cabinet registers a environmental sound, the self-portrait generated by that cabinet trips. A procedurally-generated horde of self-portraits run laps across the three scopic cabinets at different sizes and speeds. A large lens further distorts the figure. Again, any environmental sound trips the runners. A large projection runs through procedurally-generated scenarios. Environmental audio trips the running self-portrait(s), triggers a text warning for any viewer to be quieter, and affects many non-obvious elements of the program, such as the length of each scene. The installation is driven by 7 microphones, 6 tablets, 1 computer, 1 network router and 1 projector.

Installation view

Photo: Hiroshi Amano

Photo: Hiroshi Amano

Photo: Hiroshi Amano

Photo: Joshua McKerrow

Photo: Joshua McKerrow

The Barrage Band Orchestra closes the show. Photo: Chrissy Abbot

The Fiddle boy is quickly dismissed. Photo: Shealyn Jae

The Barrage Band Orchestra Photo: Chrissy Abbot

Illona Wittenberg opens the Symposium with a hymn to Dionysus. Photo: Chrissy Abbot

Abby Cocke as Zeus leads a ceremonial Masque illustrating Aristophane's speech. Photo: Chrissy Abbot

Socrates gives the final speech. Photo: Shealyn Jae

Aristophanes speaks to the origins of Love. Photo: Shealyn Jae

3D-Printed toy building blocks made from merged 3D figurative photographs.

2 dimensional Photograph of a 3 Dimensional photograph.

2-dimensional photograph of a 3-dimensional photograph.

2-dimensional rendering of a 3-dimensional photograph.

2-dimensional photograph of a 3-dimensional photograph.

2-dimensional rendering of a 3-dimensional photograph.

installation view of the video component..

Digital video installation. Video rear projects into a suspended window. Green Astroturf with Red and Blue pillows are provided for comfort while viewing.

Frame from Terraria 2

Frame from Aviary video.

Frame from Terraria.

Detail of one of the 7 Terraria videos.

Detail of one of the synchronized Aquaria Videos

Detail of one of the 7 Terraria videos.

Aquariums 1-6, 2014 Subterranean vivariums enclosing women and men in motion through an aquatic environment. Each unit may be displayed individually, in a collection, or as part of its entire installation. The twelve unique videos installed within six units are synchronized to deliver a single experience. 4’x2’x1’ per unit. 3 units in collection. 2 collections in the complete installation. 2 unique installed, looped and synced videos per unit. Can be synced with collection and the complete installation. No sound. Total running time: 4 minutes per unit. Aviaries 1-6, 2014 Suspended windows into enclosures housing men and women in natural flight. Each unit may be displayed individually or as part of the collection entire. The 12 unique videos installed within 6 units are synchronized to deliver a single experience. 4’x1’x1’ per unit. 6 units in collection. 2 unique installed, looped and synced videos per unit. Can be synced with collection. No sound.

Ostera, 2016 Jeffrey L. Gangwisch

Follow the Rough Coast Theatre Company of St. Ives, Cornwall as they develop and launch their premiere performance of The Canterbury Tales, a new play by Sarah Lincoln based on the Geoffrey Chaucer original.

Best Cinematography, 2013 Baltimore 48 Hour Film Festival

A three-minute documentary telling the blossoming story of Raun Carswell, an autistic twenty two year old who reaches out of his isolated world through circus performance.